Tom Turner – Lighting designer, associate and programmer

RENT

Edinburgh Footlights
Churchill Theatre, Edinburgh
February 2015
Director: Elske Waite
Designer: Andrew McDivitt
Photographs by Louise Spence

Photographs by Mihaela Bodlovic

in:humanity

in collaboration with Produced Moon

Created and Performed by Leonie Rae Gasson and Melanie Phillips
Set Design by Hannah Us
Performed at Hidden Door Festival 2015

In an age where humanity is surrounded by artificial intelligence, it is easy to find yourself lost in it. With technology evolving and enhancing every day, the defining lines between mankind and machine are beginning to lose their clarity. Produced Moon invite you to explore our relationships with technology, and what they may become, in the first sharing of their new show In:humanity.

Kindertransport

by Diane Samuels
Royal Academy of Dramatic Art
John Gielgud Theatre
May 2016

Director: Psyche Stott
Designer: Julia Fraire

This was my first full design as part of my PgDip in Lighting Design at RADA. The space was in traverse and was completely devoid of set save a bannister and a few boxes.
Photographs by Linda Carter

Le Bossu

created by WithWings Theatre Company

4th – 21st August 2016
Bedlam Fringe, Edinburgh
as part of the Edinburgh Fringe Festival

Directed by Helen Lindley and WithWings
Designed by Mark Portnell

This was my first collaboration with WithWings. They are a company whose work I have loved for a long time, so to come into the mix and bring some lighting ideas on board was a great and rewarding experience.
The company developed the show over one week in February and two further weeks in June. We previewed at the beautiful Wiltons Music Hall in London before a five star run at Bedlam at the Fringe.

La Boheme

Lauriston Halls, as part of the Edinburgh Fringe Festival
Baron’s Court Theatre, London – 3rd July – 5th July 2014

Director: Thomas Henderson
Musical Director: Calum Fraser
Designer: Molly MacDonell Finlayson

The We Plays

by Andrew Maddock
Press Play Theatre Company
The Hope Theatre
September 2016

Directors: Phil Croft & Ashley Winter

Photographs by Headshot Toby

Can You Hear Me Running

by Jo Harper
For RattleJaw Productions

Pleasance Theatre
4th – 22nd October 2016
StageSpace, Pleasance Islington
October 2016

Directed by Steven Grihault
Designed by Adrian Gee
Projection Design by Eva Auster

This was an enormously enjoyable project to work on – a one-woman show about a serious but heartwarming topic, acted and co-written by the very person the play was about. It was a lovely opportunity to work with Director Steven Grihault for the first time, as well as Video Deisgner Eva Auster and Stage Manager Sophie Johnson. As well as designing a rig that was responsive to the clean and white set, quirky venue beam positions and plot-dependent video design, I also designed and implemented the cueing system which allowed the stage manager to fire Video, Sound and LX from one QLab file, with the Musical Director firing backing and click tracks from the same laptop via a MIDI Go. After pre-programming it in rehearsals, it worked like a dream in tech.

Summerfolk

by Maxim Gorky
Royal Academy of Dramatic Art
George Bernard Shaw Theatre
October 2016

Director: Deborah Paige
Designer: Charlotte Espiner

Photographs by Linda Carter

Loveplay

by Moira Buffini
Royal Academy of Dramatic Art
George Bernard Shaw Theatre
November 2016

Director: Charlotte Westenra
Designer: Baśka Wesołowska

This was my final show at RADA. Loveplay is set in a single location over ten time periods, from 30 AD to 2001 AD. The set was simply five flats onstage which spun on various axes, and a full white, backlit cyc stretched accross the back of the stage. This presented a number of challenges: creating distinct looks for each scene, utilising the cyc tastefully yet effectively, keeping light off the cyc whilst keeping the actors meticulously lit accross the stage (at the director’s insistence). In the end the result was good, and received well by the director. Some of the scenes were better and more distinct than others, but for all scenes the lighting played its part in creating the desired mood and tone.
Photographs by Linda Carter

Snapshot

by George Johnston
For Haroula Theatre

Hope Theatre
May 2017

Directed by James McAndrew
Designed by Fiona Rigler

The Importance of Being Ernest

by Oscar Wilde, in a reduced version by Nona Sheppard
For Cunard & RADA

The Royal Court Theatre, Queen Mary 2
May 2017

Directed by Nona Sheppard

9 to 5 The Musical

Music and lyrics by Dolly Parton
Upstairs at the Gatehouse
September 2017

Director: Joseph Hodges
Choreographer: Chris Whittaker
Designer: Emily Megson

Photographs by Kevin Ralph

Bat Out Of Hell Press Launch

The American Church in London
February 2018

Production Manager: Gary Wall
Production Electrician: Sam House
Programmer: Tom Mulliner

I was asked to design the lighting for the Press Launch preceeding Bat Out Of Hell’s return to the West End. The American Church had a number of restricting factors – no full blackout, not a lot of hard power and no rigging positions to name a few, but we created a custom stage look using kit and ideas which were faithful to the stage production. All kit was supplied by PRG.

La Traviata

Jackson’s Lane
May 2018

Directior: Sophie Gilpin
Designer: Anna Bonnomelli
Conductor: Sam Evans
Associate LD: Jai Morjaria

The Travelling Companion

Lewes Town Hall and On Tour
October/November 2018

Director: Paul Higgins
Conductor: Toby Purser
Designer: Isabella Van Braeckel
Choreographer: Roseanna Anderson

This was my first collaboration with New Sussex Opera and with Director Paul Higgins. This hitherto unrecorded opera was a challenging light given the limited resources in our first venue (a town hall without rigging, and with white walls) and a limited budget. The show then transferred for a single night at Eastbourne’s Devonshire Park Theatre, Cadogan Hall and Saffron Hall.

Equipment supplied by White Light and Stage Vibe.

Equipment Used: S4 Zooms/Fixed, S4 Pars, VL1000-AS, Alphawash Halo 1000